Friday, March 03, 2006

You Know It’s Hard Out Here For A Pimp

So I’m not a critic or a predictor by any stretch of the imadge, but I am known to be a rather opinionated beotch, and since the Oscars is my equivalent of Superbowl, and there are some really good nominees this year, I have to spout out about some of the movies that are up for awards since I have been cramming this week like it’s finals to see as many as I can and sufficiently root for my teams, as it were.

Yes, that was a helluva run-on sentence. Shut it.

Let me commence with my spouting:

Brokeback Mountain

Lord, where do I begin? The other day I had a conversation with a woman at work that I barely know about this movie. She was complaining about how she really wants to see it, but everyone in her conservative religious family was giving her shit about wanting to go see a gay cowboy movie, and hence, she had no one to go see it with. This is what I told her: It’s a shame that people in your life would dismiss this movie out of hand as merely a “gay cowboy movie”. The movie is about two souls who truly love each other, and the uplifting and destructive power of that love. The fact that they share the same gender is incidental to their relationship, but is also the conflict of the story. Wasn’t Jesus about love? Wasn’t Jesus about tolerance and understanding? Hello McFly? Anybody home? It kills me when so-called “righteous” people cast stones and judge before they let themselves feel and understand something in their hearts. I told her I would gladly go see the movie with her a second time, and here is why: I can’t get this movie out of my head or my heart. I saw it a week ago, and it haunts me daily and nightly. The two main characters are astounding on their own, but when in the same proximity in a scene, the resulting chemistry was such that I was anxious and breathless and tearful and turned on all at once. And the director of the picture was kind enough to take many steps back and just let the viewer experience this without getting into any stylized bullshit. This made it all the more beautiful and stark, and something you would want to see again and again. That, to me, is a great, great movie. It is timeless.

I don’t hold any idealistic hope that the Academy won’t wuss out and get homophobalicious over this movie and not give it the credit it deserves, but I am hoping. This one is my favorite. Can you tell? It can’t possibly come out on DVD soon enough.


This one affected me very deeply and made me think. I love movies that take place in L.A. mainly to see the locations and go “Oh! I just had lunch there the other day!” But this was the first I’ve seen in a long time where the tone actually captured what life is really like here; how diverse people really are; how contrasting lifestyles can be. As an ensemble piece, it flowed very well, and I really loved the message. It didn’t fall into any stereotypes of good guy/bad guy. The beauty of this movie was in its grey areas: sometimes the bad guy does something really good, and it makes you cry.


As a character study, absolutely flawless. I read on IMDB that they shot this movie in 32 days. Incredible, given the scope of its subtle greatness. I am so happy Philip Seymour Hoffman finally has a starring role truly worthy of his immense talent. I also personally love stories about writers and how quirky, weird and misfitting they can sometimes be. I find it comforting somehow. There is a scene where he is pouring scotch into a jar of baby food, and then eating it. This is something I would do in secret and never tell anybody. I loved that about the movie. It also really made me want to read In Cold Blood. I am really surprised that Clifton Collins Jr. is not up for Best Supporting. I thought he was completely spellbinding.

Hustle and Flow

Poor Derek is going to wish I never saw this movie since I can’t stop walking around the house singing “You know it’s hard out here for a pimp.” I just think it’s hilarious that a goofy cracka like me would walk around saying that. Anyway, Jillie raved about this movie months ago, and now I see what all the hub-bub is about. What I loved about the movie the most was that in the depressing world of pimps and ho’s and drugs and gangstas, there was a message of “follow your dream” that never once came across as cheesy or contrived. This guy was NOT a good guy. But you root for him anyway and want him to win. I also really loved getting to watch how the whole musical creative process takes place. I am in total awe of people who can create music, and it was riveting getting to see that happen. And hello! Isaac “It’s All About The Love, Chil’ren” Hayes and Ludacris are in the movie! And while Terrence Howard is getting all the spotlight for his nomination, I really thought Taryn Manning and Taraji Henson were awesome and made the movie work. There was also one of the hottest kissing scenes I have seen in eons.

Of course, there are nominees I haven’t mentioned here that I liked, but I felt these most deserved my personal shout-out. And I thank you for your time.

1 comment:

bee said...

I am literally laughing out loud -- I can't get "You Know It's Hard Out Here For a Pimp" out of my head, either! And I only know the chorus!